Sure.
In terms of tax credit as a first line, in the service sector the most difficult thing for our clients is uncertainty, if they feel that tax credits in the jurisdiction are not solid or are wavering. They're planning their budgets so far ahead that seeing this jurisdiction as consistent and easy to use is a huge draw. It doesn't take their eyes off of us, as a start.
With regard to the tax credit itself, visual effects for feature film and television does not exist anywhere in the world in any form without a reasonable tax credit incentive. It's the competitive environment that we work in.
When it comes to immigration, we're growing quickly in Canada. As I said, it's been over the last four years that we've become one of the top two hubs in the world for this.
Generally the work is growing, but we're attracting that work from other sectors. There's talent out there who have been working at this high level for years. We don't have the volume of artists in Canada yet, and we don't have enough artists who have worked at this peak performance level. We use immigration to bring in the numbers, but also in terms of bringing in experience.