Certainly. We see that in our recreational division, just kids who come—my daughters, for example. Hopefully they'll never be performers; they should go for higher salaries. The well-being is something that a lot of people embrace. There's something about the human animal. We've always sung, we've always danced, we've always told stories.
We've run a program about physical disability called.... I've gone blank on the name of the program. This is people, young and elderly, who come in with disabilities and learn movement. Most of them are challenged physically as well as mentally. We're looking at expanding these programs.
We've been in discussion—and we're going to follow a little bit on the heels of Les Grands Ballets—with the regional hospital about mental health and well-being issues and how we can use movement along those lines.
But we do see a change in discipline and behaviour and things like that, certainly in young people, and we'd like to explore that much further. I know that with what Les Grands Ballets has been doing and the practitioners they're working with, they are seeing the value of movement and rhythm and all that in many factors of health.
But I agree—other than working in the industry—mental health is something that I think is critical, and we do have a role to play beyond the presentation of dance on a stage.