One thing that MOCA has done is a model that I think is unique. It was also cited at the Melbourne museum of the moving image, where they have a similar model. At MOCA, on one of our floors we're housing 22 artists in low-rent studio spaces, and those are individuals from the community. We're working in partnership with Akin, whose mandate is to do that, to provide studio spaces.
They will be leading a lot of professional development and professional conversations. MOCA sees itself both as a house for those individuals but also, I think, as a mentor in professional development. It's how we share knowledge of the local, the hyperlocal, but we also think about the international.
One of our roles is really thinking about how to help the engine of contemporary art and how we can bring international global expertise here and work with individuals on the ground in the local. It's creating that kind of network.