Thank you, Madam Chair.
As was mentioned earlier, it's a very complicated issue. I can remember back to a few universities that I went through, and for every professor you had to buy the newest edition of his book, and you couldn't buy the one from your friend who took the course the previous semester because he had changed three pages in it.
I go now to my grandchildren, who are in university. They never buy a text book. They find everything online. They never buy a textbook anymore because they have sources. My grandchildren never buy any music. Now, my son, on the other hand, has come back and raided my 45s because it was “one and done“ in those days: you had one hit song and you were finished. He's now going through my albums because it's the art he's looking for on the album covers. That's what the resale market, I guess, would be. With this younger generation, they go to find anything they can without paying for it. They believe that's their right. When I talk to them, it's very interesting, their mentality, in the sense of searching for what they can find for free. Whether it's a textbook, whether it's music, whether it's a video game, they go searching to find anything for free.
I've been in China a number of times, where you can buy name-brand stuff on the street for one-tenth of what you can here. Copyright in the digital age, you talked about it here as “adaptability built into” . How is that built in to deal with that mentality?