There are certainly favourable opportunities.
Canadian society has access to all kinds of markets for music. There are international music markets where buyers—and therefore sellers, the artists—meet. The beauty of the thing is that, because of the technology we have available today, it is possible.
For example, 15 or 20 years ago, in order to produce a high-quality sound recording, you had to have some major infrastructure that was very expensive and not readily available. Today, you just have to have minimal equipment and you are able to put a value on your creativity. So today, artists in the francophone and Acadian communities are able to compete, in terms of creativity, with any other artist in Canada or internationally. However, they have to be given the means to do so. Which came first, the chicken or the egg? If they do not have the means, they cannot get there, but, if they are given a basic income, it becomes an investment in their own careers, and that lets them go further.