Absolutely.
There is training on copyright. For artists, simply figuring out what they are entitled to and how to go about asserting their rights, especially when it comes to self-production, is extremely complex. Artists are increasingly called upon to produce their own work. The complexity of the clauses they must keep in mind makes it extremely difficult for them to exercise their rights, because they must understand all the nuances of copyright. It is a challenge to train artists who choose self-production and are representing themselves, but we are doing it and we hope we can do more.
Yes, tools are needed to make artists aware of their rights. The philosophy of sharing and discoverability means that, if an artist does not get a monetary gain from the distribution of their music, they will still gain visibility, discoverability, and so on. Since artists want to expand their audience, they will be readily generous and let their products go, but they should get some royalties in return. It is therefore very important to have proper, standardized and consistent tools so that the rhetoric is the same across the board.
The government certainly needs to think about tools for artists.