Sure, that's another exemption. The best example I've heard came from performing artist Miranda Mulholland, who I believe is very familiar to this committee. She has written to you in the past.
The example she gives is, as a performer—not as a songwriter—she performed on Republic of Doyle. Her music is performed all around the world and aside from the original $100 payment, or whatever it is she got for going into the studio to play the violin, she receives no residual payment, whereas the person who wrote that song does.
That inequity exists in our law. It's an exemption that is worth about $55 million to performers in our country. Getting rid of it simply puts us on the same playing field as the rest of the world.