I think the most straightforward answer to that is that the author's rights, in this case, shouldn't be used as a bargaining chip in trade. It's the right thing to do. It already has its strength in our partners around the world, our competition around the world. The U.S. and the EU, as examples, already have it. We already have it on the performer side and the maker side. It was raised in the last government, as you know.
It's the other half of the equation that we're talking about, and we are talking about the intrinsic value of music. I think that's why we're all here, and so if music has a value, and we understand that the creators of music have to be paid for that, whether it's today or for a period of time, and we're lagging behind our competition, the right thing to do is to do it now.