Yes.
The most evident one is obviously the American one, as I described. I think it's a good starting point. Even that platform, as Daniel said, is not the most author-friendly country, but at least it's better than what we have.
When I first discovered that this was in existence, I was a little bit puzzled. I couldn't understand why anyone would even want to create something that was so difficult for songwriters, composers and authors. Why would you want to limit their creativity on any level? It's important that everyone understand that in some cases, some people may create only one or two things in their lives. They might write The Catcher in the Rye, and it might be the only thing they will ever do in their whole lives, but it's such an influential and powerful piece, influencing so many other people and other writers and inspiring people, that it's important that it be their destiny to control it eventually. At least it would be inspiring to think that it would come back to them. Do you see what I'm saying?
When you as a young writer sign something over, as I myself did...I was 15 or 16 when I signed my first songs over to another publisher. I was just happy to pay my rent. That's it. People ask me what the single most exciting thing is that ever happened in my career. I can tell you it was the day I could pay my rent. I was grateful. I still am. I think I've answered the question.