Thank you, Paul.
I'm just going to list a couple of examples of my work. Hopefully, you might be familiar with some of them.
One of the shows that people know me for is a radio show. It's called Under the Influence, which is hosted by Terry O'Reilly. He's been doing that show for 13 seasons, and I'm lucky that every week when he does it, he says my name at the end, “and music by Ari Posner.” That's where most people know me from.
The irony is that I've mostly made my living from doing scoring work for television and for film. Quite a few years ago, in 2010 and 2011, I was working with a colleague in Toronto and we scored the show called Flashpoint, which was a big hit for Canada. It was a landmark show because it opened the floodgates to the U.S. for us to be able to start exporting some of our content onto the bigger networks down there. Flashpoint was a landmark show for Canada. It was also a landmark show for my career, for sure.
Currently, I'm working with the same collaborator back in Toronto on a show called Anne with an E, which is a reimagined version of Lucy Maud Montgomery's story,Anne of Green Gables. Anne with an E just premiered its second season this past Sunday on CBC. It's been given the green light for a third season already and, most pertinent to what we're here to talk about today, it's airing around the world in 190 countries on Netflix.