In Canada, I've been involved with organizations that do the distribution and the payments to the artist, and it's the efficiencies that need to come from those processes, just as Caroline has been stating.
I think the adoption of that, in following those models from international counterparts, will really help us get the dollars to the artists quicker. I have seen millions of dollars sit on balance sheets because a decision hasn't been made at the Copyright Board or they can't get the data processed to figure out who is actually owed the dollars.
I think that we can do a better job at that.