I do think that artists who are in that position are in a more challenging position than artists who can basically fully leverage the power of the platform. In those instances, I think it is critically important to examine ways that you can either encourage them to engage or, more specifically, find partnerships or other opportunities to engage and find consistent revenue streams.
The example that was raised with the Screen Composers Guild, essentially they were raising concerns with respect to the royalty payments through SOCAN, which, by the way, we have a licence agreement with. It was interesting in terms of finding ways that composers can work with YouTube creators who are achieving success on the platform but are not necessarily musicians. They were looking for sound tracks and looking for music and artists that basically assist them. I think that is also a very viable opportunity for them.