Yes, it's a big question.
I think it depends on the filmmaker. Some filmmakers have certainly adapted more quickly to the changing landscape, and some of them rely on broadcasters to continue to commission their work. With fewer broadcasters and fewer buyers in the market, there are diminishing funds.
I spoke to the pie getting smaller, or encouraging the government to increase the pie. I think that is important, so that it is a more competitive market with more documentary filmmakers, because again there is a higher demand for the genre not only in Canada but, as you know, with Netflix and others. We commissioned a survey or a report that showed that people watch their documentaries on many platforms, but Netflix is number one. In light of that, again we think that there's some work to be done from a fair dealing standpoint and also from a digital standpoint. Documentary filmmakers are often starving artists—I think you mentioned it a little earlier—so they don't have the negotiating capacity when they're in front of a buyer or a broadcaster to fairly negotiate what they think is a living wage for their work. They are disadvantaged in that room when they are trying to sell their work.