I can tell you that there are many players. A movement has begun, and we feel it among rights holders or creators. In any case, it can be said that there is tension between creators, rights holders and the system that has represented them so far. The situation is problematic.
You have always been in this position because documentary makers have never had a large share of the cake or visibility. The established system, which was built with our quotas, with regulations on Canadian content, with the Music Artist Performance Lyrics, or MAPL, and so on, has been at the industry's service in a large sense, but not as much at the service of more specialized players like yourself.
Ms. Jones, all the committee members have understood the four issues related to the value gap. People from the music industry have done a good job of expressing those four main points.
People from Google told us that they gave 55% of advertising revenues from YouTube to rights holders. Does that reassure you?