I think the first and most important thing is that because we as audiovisual performers are not currently recognized under the Copyright Act, we don't have the statutory and moral rights to basically demand or negotiate the payments tied to international and even national exploitation of our work. We do have strong contracts within ACTRA that allow for residual payments to be paid as our producer partners gain monies, but there are other monies around the world that we don't have access to. I would say that is certainly a gap that we're not seeing filled.
On October 16th, 2018. See this statement in context.