I understand. Algorithms have that perverse effect.
Ms. Grandmont-Bérubé, you mentioned your reluctance about resale rights for the first transaction.
I completely understand you. Since I come from the record business myself, I believe that the parallels that have been drawn recently—I think even during the previous hour of the meeting—between a record producer and an emerging artist's first album are appropriate. I do believe that's precisely the role of gallery owners. Of course, far be it from me to interfere with the emergence and distribution of new talents.
However, you mentioned that, for you, the main problem is the resale right on the primary market. Different models have been presented. CARFAC has presented its model. Alexandre Taillefer, whom everyone knows, has already expressed his support for the proposal for resale rights in visual arts in the model presented by SODRAC, if I remember correctly. In any case, I am sure he has already expressed his support for one of the two formulas.
If we were to remove the resale right aspect from the primary market, the first gallery owner who offers a work for sale, would that then change everything for you?