Thank you, Madam Chair. Thank you, Mr. Garvie and Ms. Marchand, for taking the time to educate us, in some respect.
We heard from many groups—creators, artists, producers, right through to distributors. The one common theme seems to be revenue-sharing. There's some debate about who's taking too much and who's not getting enough.
In any business, that happens at the contract point. How do we protect...? From your perspective, Mr. Garvie, as an executive producer, what happens? I'm an artist. You want me to perform, to act in one of your films or whatever it may be. What are the first steps? How is everybody protected? Even if you look at the royalties after the fact, is that all established on day one? How does that work?