The underlying concept, or value, is that the stories belong to the community. The way that both Western Canada Theatre and, ideally, the National Arts Centre indigenous theatre are going forward is to recognize that that is where the ownership resides. Any storytelling or sharing of those stories and histories beyond the community is really through permission and a consultative process in which the community participates fully and has buy-in on the final product.
With respect to remuneration or the official copyright, it becomes challenging, particularly in instances where...in many cases, unfortunately, it's a non-indigenous person who has come into a community to learn and has then taken that story and shared it more broadly. Through that copyright, they have actually disenfranchised the community from their own story. Those are the instances we are actively working to prevent.