No pressure.
I have to admit that I came with a pretty specific lens. In a broader context, I would just say that I agree with you. It is not just the copyright legislation that is at issue, but also ensuring that artists—and individual artists, for example—have the means to live, right? Artists right now, primarily theatre artists, are living below the poverty line. They are important voices in our nation, and we value their contribution.
I just want to reference something, too, that Mr. Garvie said, in terms of the changing landscape. It isn't just about DVDs and copies, of course. There are webcasts, a whole distribution net through the Internet and controls. I would be lying to say I have those answers. I think that those are the huge questions in front of us.
I would love to start thinking outside the box, and finding a way to share some of those resources, and the royalties—a way to compensate artists for their work so that they could ensure that their livelihood can continue. I say that, balancing it as a producer who understands that there is a need for infrastructure in order to produce the work, and that somehow needs to be financially sustainable as well.
I'm sorry, I think I'm just helping paint more questions than answers.