I think the key point we're trying to make is the necessity of the various channels going forward at the same time, because one will affect the other. What we're concerned about with museums is that a copyright change that doesn't consider the impact on institutions may have unintended negative effects, not just for institutions, but for artists.
If it's copyright, then I would say that the most important thing is that the models being used are ones that minimize administrative burden on those who are employing or presenting copyrighted works, and that maximize the ability of resources to go through to the creators, without imposing an undue financial or administrative burden on other cultural institutions.
Does that answer your question?