I think it's favourable to the industry. I think there's a clear road map on how it's dealt with on the television and film side. The parties have agreements that are negotiated in good faith between them, the writers, the directors, the actors and all the people who are part of it. You know if you've ever been to a television set, there are 200 people working. All those deals are structured with guilds, so that there's protection for the employees or the contractors. There's also a mechanism that makes sure they are rewarded in success.
I think it is working. I think we do need to modernize the copyright system to make it reflective of the new delivery systems that are in place, but I think the basic system is a good one.