I think in general if we're to have any success out of federal legislation we have to work with all stakeholders, and that obviously includes the provinces.
I think it's critical that there's a broad understanding of what we're working with and it's very complex. As soon as you start to get into this it's like the classic peeling of the onion. There are many layers. You've got the artist, the manager, the agent, the promoter, the venue—the venue is very important.
The Waterson report did not put a lot of emphasis on the venue, but if you think about what happens in a venue when a big concert comes to that venue, if you insist on having identity features, one person, one ticket, that's correlated to your licence or some sort of ID, how does the venue handle that? There would need to be sophisticated technology in the venue sites. In order to support that technology, it is appropriate that in some cases the artists may be asked to contribute to that. The ticketing agents may be asked to contribute to it.
You can't say the idea is that we need to have one person, one ticket, one piece of ID, and the venue's going to figure it out on their own, because it's going to be an absolute nightmare.