The indemnification program is a complex business, partly because many parts of the exhibit come together at the last moment. As you know, that's a program for high-value exhibitions. There is generally a minimum threshold of $500,000 for the value of the exhibit, and the government can assume liability of up to $3 billion at any one time.
The challenge is that most of those exhibits come from out of Canada. Our obligation in processing those files is to ensure that the exhibit is as safe as possible, so that there is no damage to any one part of the exhibit. In doing that, we have security requirements that must be met, environmental standards that have to be met, and so on.
We have been able to be flexible with some smaller museums in the past. In particular, I think of places that aren't usually the recipients of special exhibitions. Last year the Magna Carta travelled across the country and went into some places that had not previously received valuable exhibit material. The value of that exhibit was high. It's a combination.
It is true that sometimes notice comes late in the day, but it's generally reflective of the fact that some of the exhibits...It's easier with a turnkey exhibit, in which everything is coming from one place. It's much more challenging when an exhibit requires sometimes hundreds of individual agreements with lenders, the details of which come together late in the day.