If I could bring this up, there's another complication with digitization, and that is copyright. For contemporary art, when the rights are still owned by the artist, which is usually the case, the simple costs of paying royalty fees and getting permission to put things online really is preventing a lot of contemporary Canadian art from coming online.
If you go to the National Gallery's website or to that of the Musée des beaux-arts de Montréal and so on, you'll see a very limited amount of their collection. There are only items whose copyright has expired or that are in the public domain, generally speaking. That creates a huge lacuna in terms of the public's access and ability to see contemporary art.
The other thing I'd like to point out is that there's been a lot of emphasis on digitization, yet we're seeing an increase in people walking into galleries. They want to see the real thing. The participation online hasn't really been that significant. The Canadian Heritage Information Network has been trying to digitize and put together an inventory since 1972 of all the artifacts in Canada, and it's still woefully inadequate. There are large gaps in it and, to be quite honest with you, not very much public use of it.