I won't claim to be an expert on it. It's something we're certainly struggling with. Obviously, we care deeply about artists and artists' rights to their cultural property. Nonetheless, the expectations in terms of how we move those images around have changed dramatically. I think there has to be an easing off on the institution, whose job it is to promote and present and interpret this work, so that we can get it out on all those platforms in the way that society is demanding. That would be one aspect of it.
You know, I guess we're looking at ways around it. We're having to become much more savvy in the way we, say, take images of installation shots when we're putting up a work. We're not directly showing the work, but we're showing the activity of putting the work up on the wall. We often do interviews with the artists. Again, it is a way of adding to the dialogue and not just using the image of their artwork.
That really changes the type of skill set we're asking our curators to have now. It used to be just research and writing; now we're going to need them to be experts in interviews and videography. It's a challenging landscape ahead.