What can happen is that a producer who has a very innovative project that won't be able to qualify as a 10 out of 10 for the Canada Media Fund, which represents a much more important portion of the funding than the 1% for all the independent funds—let's say they can't qualify for that—gets another door to knock on to produce the project, because they're a six out of 10, a seven out of 10, or whatever.
That makes for a richer ecosystem, because one fit cannot suit everything from a lifestyle show to a high-end historical drama, and one that you mentioned, which probably needs international sales to make it happen.