On those two questions, the first thing I want to say is that the Canada Council announced, before the publication of the TRC report, our intention to reorganize completely the way we see the relationship with indigenous artists.
We took all the different programs in which there was a component addressing the needs of indigenous artists and announced that one of the six major programs of the council—its name is Creating, Knowing and Sharing—would support indigenous artists on their own terms. It's a program inspired by self-determination and self-governance, so there are many features in the program that are absolutely unique to the indigenous, Inuit, and Métis people.
In terms of reality, for instance, the Canada Council would not support the idea of cultural transmission, except for indigenous artists, because it's a reality and it's needed. We would support, for instance, the transmission by elders to younger artists. You don't see that anywhere else at the Canada Council.
We committed, in our strategic plan, to triple over the next five years the investment we are making to support indigenous art. We are, then, not only recontextualizing how we support indigenous art but also are adding more resources—and more rapidly, because in fact our investment will triple not over five years, but the bulk of it will happen over the next two years.
On the specific aspect of reconciliation—