The question now gets into how we are dealing with the creative sector, how we are dealing with all of those who are using their creative ability and talent, yet they're in an economic sector that is defined very strictly. For example, I may work in the automotive sector, but I'm an industrial designer.
I think today the idea of a creative sector, the way in which we want to look at creative disciplines, especially with what the government has put forward in its creative Canada policy framework, is really to open up support to ensure the inclusion of architecture, fashion, and design. Design design is where you're going to get into the industrial piece and question of whether that is automotive design or any other form.
The point of creative hubs is that we want to bring that creative talent, regardless of discipline, together with the arts and cultural and heritage sectors to incubate and develop the content that is required.
By opening up our support, by bringing the creatives together, there is now an opportunity to have that conversation. That's clearly articulated in the framework. So you have arts, and then you have the opportunity we have before us.