Certainly, I think that inside of the regulations that we face are a myriad other subregulations around the kind of content that is prioritized in the system. There's a category of content called “programs of national interest”, which includes dramas, comedies and documentaries, but it doesn't include the kinds of shows that we've shown ourselves to be very adept at making and selling in the world market, like lifestyle programming, where we've created a great system of Canadian stars and been able to have stars like the Property Brothers and Bryan Baeumler become stars internationally.
That favouritism inside of content categories, as well as the inability for us as a broadcaster to hold the rights to market our content internationally and still be able to take advantage of the kinds of tax credits that are available to the producers, just layers on extra complexity and reduces our competitiveness. It's not that we don't believe we need to have obligations put on Canadian broadcasters—we are prepared to accept obligations—but we just can't accept all the obligations. Some of that has to be transferred to the streamers.