I appreciate your saying that.
I would like to drill down on it a bit more. The previous witnesses mentioned a type of production fund—you're talking about the $830 million a year—to make sure that there are contributions from companies like Spotify that are profiting from our artists right now without making the significant, appropriate contributions to our cultural sector. Can you explain a bit more how that process might work, how we can make sure that the people who are profiting—if there are international companies profiting—from our arts and our artists are now contributing, and how that can make it to our local artists?