As I said, I think a healthy, thriving industry requires both a strong domestic industry and a foreign sector industry. Years ago, when a lot of U.S. productions first started coming to Canada, they had a higher percentage of U.S. crews coming up and working on those productions, and over time, the number of U.S. crews coming to Canada was greatly reduced. We saw a greater training ability and we saw opportunities that would otherwise not exist for Canadian talent, and the same takes place in the writing room as well. I think it's a tougher battle for the writing room, but one that can be overcome. Again, the flexibility of allowing the CRTC to deal with these issues can address those issues.
On March 12th, 2021. See this statement in context.