As I said, I think a healthy, thriving industry requires both a strong domestic industry and a foreign sector industry. Years ago, when a lot of U.S. productions first started coming to Canada, they had a higher percentage of U.S. crews coming up and working on those productions, and over time, the number of U.S. crews coming to Canada was greatly reduced. We saw a greater training ability and we saw opportunities that would otherwise not exist for Canadian talent, and the same takes place in the writing room as well. I think it's a tougher battle for the writing room, but one that can be overcome. Again, the flexibility of allowing the CRTC to deal with these issues can address those issues.
