Actually, we honoured all of our agreements with perhaps a few exceptions. Basically, when COVID hit, the decision we took was that we would honour agreements we had with organizations, whether the event or what was supposed to be funded happened or not. If you were doing a music tour, a summer festival or a theatre competition, if it was postponed or cancelled, we told the organization to keep the money and use it wisely. There was no way we were going to pull that money, and those organizations needed the funding, so we were very flexible.
We were also very flexible with the emergency funding; it wasn't attached to specific activities. It was really there to try to help organizations, so, if you were already a recipient of Canadian Heritage, Canada Council for the Arts or Telefilm support, you almost automatically got up to a 25% top-up of what you'd previously received from the federal government. The funding structure was a bit different for organizations that do not normally receive funding from the federal government, but that, in a nutshell, is how we did it.