Yes. We are really unique in that our government funding represents about 4% of our revenues. Unlike many other arts organizations, which live and die by their public support, our endowment revenue is keeping our lights on. It is supporting our infrastructure. It is supporting our building right now, which is why we're giving it away for free to support artists who want to come to work.
Outside of that endowment, our fundraising is our number two source of revenue. Ticket sales are only about 20%, so it's fundraising and endowment. The fundraising has, as expected, taken a big nosedive. We always know that the future is in the endowment. To really safeguard institutions, this is the future, so we are embarking on a life and legacy campaign and really encouraging donors.
Also, I should say that our endowment is this big because of the matching program. It's because of the incentives from Heritage—the incredible matching program that bridges the philanthropist with the government. I have been on committees to try to keep that going, and it has worked, so thank you very, very much. That philanthropists can dump a large amount and know that it's going to be matched is the greatest incentive to help us continue to grow and to help all these organizations to build their endowment. I think all not-for-profits should be working towards that at the moment.