Thank you for the question.
Let's say that the possibilities are multiple and it really depends on the events. We saw that, in the case of the Francos or the Montreal International Jazz Festival, they set up a digital component based on events that had already been recorded. They also created original material in small venues and made it accessible to everyone for free.
Other events have opted for paid formulas. I can cite the example of TIFF. The Just for Laughs festival had more than 30,000 paid connections to a recent edition. There are hybrid formats and other fully digital formats. You can also hold performances in venues with few people and broadcast them on the Web.