You probably know that Netflix offered us $500,000 to distribute to the people essentially working in audiovisual. The Ministère de la Culture et des Communications du Québec made $2 million available through the Fondation des artistes. It's a bursary —let's call it that—of $2,000 per person. Consequently, a thousand people can use that fund, those bursaries, essentially identified for the performing arts. So Netflix made available funds for audiovisual, and the Ministère de la Culture et des Communications du Québec provided $2 million for the performing arts.
At the foundation, we have a number of funds. We also have affiliates. One day, the Union des artistes received a bequest of several million dollars in the name of one of its members, Ronald France, to be specific. He was someone who had been in the business, working in dubbing, and had no family. He made a lot of money and he left it to us. That is how the Fonds Jean-Duceppe has been able to distribute more than $500,000 since April 1, which the Foundation was not in the habit of doing. We had never dipped into that bequest. We were living on the interest from the bequest and that was enough, but it is no longer the case now. We dipped into our piggy bank to provide artists with more and better help, given the extreme urgency of the situation. It is not yet over. What Ms. Rubin was saying earlier is true. The situation is going to last for months.