I will go back briefly to what I said earlier. It's better to go to arbitration than to have no agreement at all. Our organization is currently in that situation. We have been negotiating with a producer association for more than 20 years, without a collective agreement. Obviously, in such a situation, it's preferable to go to an arbitrator, who will determine the working conditions.
My point was that it's a fairly cumbersome process. However, it's better to have this process in place than to end up with working conditions that are impossible to renew, because the parties remain in their position for years. In general, it's easy for a producer association to stick to its position and not enter into a collective agreement. That doesn't improve the lot of artists and their working conditions.
On the issue of broadcasters and online platforms, right now it's impossible to negotiate with online platforms under the current regime. However, if Bill C‑11 is adopted, it may give us the opportunity to at least engage in some kind of discussion with online platforms on compensation conditions, which are related not only to the use of the works, but also to the performances. This will also allow artists to be remunerated for the use of all the content that ends up on an online platform.