Thank you very much for your comments.
I'm a New Democrat, and I'm in favour of binding arbitration, but it has to be useful to artists at all stages of the process.
I'm going to go to Mr. Forget and Mr. Welsman now because both of you also mentioned binding arbitration as being essential. Thank you very much for giving us some idea of what it's like to conduct negotiations with the National Film Board and the CMPA.
To what extent do we need to make sure that the binding arbitration is in place, but also that it isn't to the disadvantage of artists, that there are resources available as well? How would that change the Status of the Artist Act to ensure that you're actually getting good-faith negotiations with these institutions?