Absolutely. There are streams of funding for training. During the pandemic, it was incredibly important for artists all across the country, no matter what they did, to master more digital capacities, production, dissemination, and presentation.
It is very encouraging to see that we are in a stronger position right now to offer a quality product, even for the people who normally work on stage. The sector is recovering. Many theatre companies want to maintain a hybrid model, and offer, obviously, things on stage, but also provide digital access.
So, yes, I think we have made very important progress over the last two years in terms of mastering digital in our sector.