It's obvious, I think, that Canada's major labels are success stories in this space. We employ Canadians in offices in Toronto and Montreal. They're full of Canadians making Canadian music for the Canadian market and around the world. It's of note because often our members are not necessarily the clients of Canadian Heritage due to their ownership structure, but it's nice to see that the structure we have is the structure that the government is pushing on other players.
I think it's important because it's important to have people on the ground thinking about what's important in the Toronto market or in the Canadian market broadly. We've seen the benefits of that, and we look forward to discussing that further.