Ms. Morse, I think it's wonderful that you managed to segue from the first question into the second. It seems as if we have been rehearsing a text together.
You talk about the precariousness of cultural workers, whether they're actors, stage technicians, or else. When we met a few months ago, we talked about reviewing the federal Status of the Artist Act. We also talked about reviewing the employment insurance program to find a way to make workers in the cultural sector eligible. As we say in France, these workers are often called the “intermittents du spectacle”—the contract workers of the entertainment industry.
Can you explain to us what the benefits of such a safety net would be for these self-employed workers and the cultural industry?