In fact, several examples have emerged quite recently elsewhere in the world, such as in Scotland, and the “intermittence”—the contract work—that we see in France, in particular, is an excellent example.
Your two topics intersect, so I'll move from one to the other. The idea of a social safety net and a guaranteed basic income is obviously a huge step in the right direction. In fact, it goes hand in hand with the employment insurance issue. Given the instability and the very changeable nature of these jobs, it would provide some security for artists, who would not have to worry about being able to pay the rent. That's a lot of what we're looking for, really: to be able to forget about the basic needs of our lives to really create interesting work.
It is therefore a question of supporting artists, not only to achieve their projects, as is currently the case, or not only to support the venues, but also to provide them with a certain minimum standard of living.