Absolutely.
Another one of the challenges, Mr. Louis, is that because it's been so insecure—with opening, closing, shows being programmed and then taken down, and this and that—a lot of people have decided to say, “I love that, but I'm going to get a more stable job. I can't stay here because I have a family; I have to pay the rent and I have to feed the kids,” so we're losing a lot of amazing people, musicians, creators. That specific fund, as you call it, the Canada performing arts workers resilience fund, is the one I announced not too long ago. We had the discussion at the finance committee, with Mr. Champoux and others.
We're going to go through associations, guilds and unions. They have up to March 4, the end of the week, to apply. It's similar to what we saw in Quebec with l'Union des artistes. Those organizations have until March 4 to apply.
Then we are going to do a thorough but quick analysis, provide them with the funding and enable them to open up the programs to individuals. It's a maximum of $2,500 per person. It could be direct funding, but it could also be through services. We talk a lot about mental health. A lot of people in the cultural sector need that kind of support so they will be able to access that or other types of support, get help with the rent, training and all of that, and it's going to come very soon.