Yes. I see the downside of it, as was illustrated earlier by the question about the Senate, the Duffy scenario, and so on and so forth. I can see how some of that is frightening, to say the least. There are other cases, too, when as a former critic—I was critic of Heritage—I was lobbied. I had discussions with a lot of groups in the arts community and the broadcasting community, and it was a real education for me. Yes, they want to further their interests, but my interests were served as well. I wouldn't want to see a chill over this kind of industry, where there are these loose parameters and we're not sure where we're stepping, always treading on—
