That was, unfortunately, something that we couldn't identify. We didn't engage in those kinds of investigations.
Sometimes it can indeed be very difficult. The example of Tenet Media shows us that, in that case, it actually wasn't about who was creating the content; it was about the financing behind it. That's why I made the recommendations about thinking about financing as well as looking at the content itself, because you can have, in a way, things that happen off of the platforms that are actually influencing what kind of content is being created.
We need to combine not just thinking about the content but also thinking about the actors and their behaviour.