Thank you so much.
My name is Shannon Litzenberger, and I am a Toronto-based dance artist and an innovation fellow with the Metcalf Foundation in arts policy.
I'm here today actually as a volunteer for the Canadian Arts Coalition. We are Canada's largest group of arts, culture, and heritage supporters. We're non-partisan, pan-Canadian, 100% volunteer-led, and we don't receive any government funding.
In response to the government's framework for Budget 2013, we're proposing some specific measures to address economic recovery, job creation, skills development, and enhanced productivity.
First, we're recommending that the government renew investments in the Canada funds that it announced in 2009. These include the arts training fund, the arts presentation fund, the cultural spaces fund, and the cultural investment fund. Of the $120 million in that fund currently, $80 million is up for renewal, so we'd like to see that investment renewed.
This suite of programs plays a very critical role in supporting the arts and culture ecology, and it represents investments that are not in the scope of what the Canada Council for the Arts supports.
Our second recommendation is to maintain levels of funding to the Canada Council for the Arts and, as circumstances permit, to begin increasing investment towards the target of $300 million annually.
I'd like to acknowledge that in Budget 2012 the government did maintain investment to the Canada Council, and we are very thankful for this in the sector. Last year that enabled the council to support activities in 1,900 Canadian communities. The council is regarded by government and the arts sector as the most effective deliverer of public funds in the arts.
I often hear government say that it is investing in arts and culture at record levels, so at this table today I'd like to give you some perspective on how the Canada Council for the Arts, more specifically, has been funded over time.
The council, as you know, was created in 1957 by the Massey-Lévesque commission, and 30 years after that there was a federal cultural policy review committee that looked at all of the federal programs of investment in the arts. When that report was published in 1982—that's 30 years ago—it called for a significant increase in funds to the Canada Council at that time, and they actually asked for a doubling of the budget.
In the years that followed that, the recommendations for new investment for the council were never implemented, and in fact the budget was cut quite dramatically in the nineties. That caused a major downsizing for the institution. Since that time, we've had modest incremental growth, particularly by this current government, and we thank you for that. But the fact remains that today, in 2012, the per capita investment in the Canada Council for the Arts is actually lower than it was in 1990.
The impact of that long-term investment trend has resulted in the council having less capacity than it did 20 years ago relative to the growing and changing demographics of Canada's population, as well as relative to the available talent and potential of the sector itself. As a practitioner in the field, I can tell you that for my generation, life as an artist is a constant struggle.
But we are still a booming sector, growing faster than financial services, faster than the food and beverage industry, and faster than the biomedical industry. And we are capable of producing great returns for Canada, both economic and social.
I know you've heard all of these stats: over 600,000 jobs; $46 billion into the economy; and we return $25 billion in taxes to all levels of government, which is more than three times what the investment is from government.
We are also a sector that's undergoing unprecedented transformation at this time. New technology is challenging traditional modes of presentation, and changing patterns of audience engagement in cultural experiences has broadened the scope and nature of artistic offerings and public demand.
While maintaining investment through a challenging financial climate has allowed the cultural sector to avoid major downsizing, as we've seen in other countries, there is still an entire generation of diverse and talented creative innovators waiting in the wings. These new generations and the work they produce represent today's Canada, one that speaks over 200 languages; that embodies values of equality, tolerance, social responsibility, and civic pride; and one that is poised to lead the world in creativity and innovation. So we are foolish to hold back the relatively modest investment that will be required to leverage this talent.
We are so proud that our government understands the value of the arts to our economy and to our society, and as Canada sees positive economic growth, now it's time to make some investments that are commensurate with this value.
I can't stress enough that when the government makes decisions regarding arts and culture, its decisions directly impact the jobs of hundreds of thousands of Canadians like me, and it does touch the lives of families and communities throughout the country.
New generations of Canadians want to see their experiences reflected in the contemporary cultural expression of our nation, and new investment is needed to nurture the future development of our artists, the creative work they produce, and the communities they serve.
What is the cultural legacy we are building? How will we know ourselves, and how will the world know us?
Thank you.