Well, if I can flip the question around, I do have a lot of people I talk to in the United States and they wonder what the situation is in Canada. The ones who understand the details of copyright are surprised at.... I'll give you an example.
The U.S. copyright board just announced what the tariffs are going to be for online streaming for the part that goes to publishers for the compositions for the next five years. Meanwhile, we've just had our decision for 2013.
It's not that the U.S. system is better in every way, but it certainly is in terms of security as a businessman, what you're faced with in terms of predicting what your revenues are going to be on a growing basis. Because we are a Canadian company, we do represent a lot of Canadian and Quebec artists. You're in a much better spot when you know what you're faced with. At the present time we don't know what the rates.... You try to guess, but at a concrete level you don't have any security in knowing what the percentages are.