My experience in this matter is limited, but with respect to the purchasing of materials, there are some issues we're thinking about. If we're talking about printed materials, I think we could look at some arrangements where materials are printed or published with different parameters around them, such as between the publisher and the creator. That's something about which the publishing industry would be better informed than I, but I do know that when a creator gets their works published, their compensation depends greatly on what their contract is with their publisher. That is one thought I have.
With respect to materials that are not printed published but are oral or other things, I know that a number of school boards across Canada participate in a program that brings indigenous creators into their school to talk to all students about indigenous art. They participate in art-creating days and indigenous storytelling. By doing that, and by promoting artists in the school who come from indigenous backgrounds, we're making our students more aware of the stories and the art and the culture than they currently would be. There are often benefits to that for the community.