Okay, but anyway, you needed thousands of plays to be able to afford it. However, a number of artists are often involved in a single sound recording. This is the case with symphony orchestras, for example. It then takes a multitude of streaming plays to generate even small amounts of money.
As for the specific statistics on the drop in incomes, I should be able to tell you exactly what the situation is. I can only talk about private copying. As I mentioned earlier, private copying accounted for over 50% of the Canadian levies we pay to artists, but that percentage has gone down to 7% in a few years.