We are talking a great deal about the music sector. I am the president of the Union des artistes. In Quebec, we've managed to compensate for certain rights through our collective agreements. The Union des artistes manages 55 collective agreements in all sectors. This, of course, involves music, but also hosts, singers, and dancers. Through our collective agreements, we have managed to protect ourselves. The music sector is an exception. In fact, I would say that it is the example that should be avoided.
Over time, in Quebec, we have managed to protect ourselves to some degree thanks to the Status of the Artist Act. We have what are known as residual rights. In fact, we are paid for a day's work, a bit like plumbers. For the rest, we receive a percentage of the fee that was negotiated at the outset. For instance, we agree that the residual rights will be equivalent to 30%, 40%, 50% or 80% of the negotiated fee. So we are in another system that protects the artists, insofar as we remain within that framework.
Of course, the environment or the market tends to completely change the way in which artists are remunerated, and flat rate fees are increasingly being asked for for digital media. Do you understand what I mean? That is completely different.