Thank you very much.
Dave, you mentioned The Shape of Water. A guy from the Sault, Paul Austerberry, won an Academy Award—I know him quite well—and David Fremlin from the design team shared it. These are very good friends of mine, and I know how important the creative economy is, especially in film and television production.
In this conversation that we had about copyright, in your presentation it was assigned to the author at 50 years. We're also exploring how we deal with copyright as it relates to Canada's indigenous people. One of the issues we're finding, and on which I'm doing my research, is that we know that we need to ask for permission, but a lot of times that production, that piece of work, doesn't belong to an individual. It belongs to a first nation or a clan or a piece of it.
Do you have any ideas or thoughts on how copyright changes could help Canada's indigenous artists, and how we might enhance that and have more creative artistry in the indigenous world?